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ÿþBags are unique as fashion accessories. They are not required to discount nike enclose a part of the body, which has allowed freedom and inventiveness over the centuries, resulting in creations which are not mere fashion items, but works of art. This phenomenon has reached its logical conclusion in recent years, as brands collaborate with fine artists such as Tracey Emin and Marc Quinn to produce bags that would not look out of place in a gallery, which is indeed where they can be seen in the V&A's new exhibition, Bags: Inside Out. But it is not only their aesthetic appeal that can be compared to art. Classic creations by brands like Hermès, Chanel and Dior are increasingly being appreciated for their investment potential.
"We don't really wear bags, we carry them, so they have this degree of independence. They can be designed in very unusual ways, which is how they can easily become a dog, a frog or a little conker," Lucia Savi, curator of the V&A's exhibition, tells BBC Culture. "There is a surface which can nike air vapormax price be decorated or painted on. It's almost like a blank canvas to work with."In the 17th Century, small bags known as sweet purses were exquisitely crafted in unusual shapes such as frogs, while the fashionable technique of filigree was used to create elegant purses which were often exchanged as gifts between aristocrats. The 'reticule' which emerged nike air vapormax flyknit 3 shipping in the 19th Century and is considered the forerunner of the modern handbag had a flat surface, so offered the perfect opportunity for artistic expression. "There is a surface to be decorated so women would decorate them with patterns and flowers," says Savi. The worldwide Black Lives Matter protests that followed the killing of George Floyd earlier in 2020 have sparked renewed interest in the Black Panther Party and its dress codes, as campaigners today look to movements of the past. British Vogue's September issue, which was dedicated to "activism now", saw supermodel Adwoa Aboah appear on the front cover dressed all in black, her beret a clear nod to the Panthers, while dancer and sale nike blazer presenter Ashley Banjo later appeared in British GQ in a similar outfit. At marches too, protestors could be spotted in clothes that harked back to those worn by the likes of Fred Hampton and Kathleen Cleaver. Fifty-four years on from the party's founding, amid scenes of police brutality that are eerily reminiscent of the 1960s, the sense of urgency among black people has been encapsulated in the slogan T-shirt, in some ways the unofficial uniform of today's activist. In 2020, celebrities and athletes have joined grassroots campaigners in sporting shirts emblazoned with punchy, powerful statements: basketball star LeBron James in "I Can't Breathe"; actor Sterling K Brown in "BLM" and a Black Power fist; racing driver Lewis Hamilton demanding that authorities "Arrest The Cops Who Killed Breonna Taylor"; British football teams in various anti-racist slogan T-shirts. "Fashion is very elitist, and people tend to get employed when they look like the people that are already in those positions," says Bemi Shaw, a London-based stylist who has worked on photo shoots with stars such as singer-songwriter Jorja Smith and designer Victoria Beckham. Before this year, much of the conversation around race within fashion was centred on the need for more diverse models the most visible faces of the industry, albeit not the ones pulling the levers of power. Through its directory of black editors, stylists and executives, as well as its equality index that scores companies on inclusivity, the Black in Fashion Council is striving to shake up an industry that nike blazer low opiniones still favours those who are thin, wealthy and white. Attuned to the importance of capturing their increasingly diverse cover stars outside of a white gaze, British Vogue has also begun commissioning black fashion photographers, who, until recently, had been virtually invisible. (In December 2018, Nadine Ijewere became the first black woman to shoot the cover of any Vogue, ever.) This year, Enninful and his team have tapped lesser-known names like Misan Harriman, who captured some of the defining images of the London protests, as well as 21-year-old Kennedi Carter, whose work 
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